This article is part of our feature topic Abjection. Abjection often conjures images of horror—filth, ugliness, death—in their most visceral, corporeal form. Yet what we tend to neglect are abject forms of the mind: a kind of psychic horror that arises from the slippery grip we have on our sense of self. This discomfort, the circling ambiguity of our personhood and the world we inhabit…
Laura Nitsch: ‘Violett’ Screening: Mar. 9–15, 2026 Part of: ‘Uglier, Louder, Taller, Weirder – Hearing the Weeds grow’ galerie-im-turm.net/weeds Frankfurter Tor 1, 10243 Berlin, click here for map Group Show: ‘(Zieh mir den) Zahn der Zeit’ Opening Reception: Thursday, Mar. 12; 6–9pm Exhibition: Mar. 13-Аpr. 25, 2026 bode.gallery/zieh-mir-den-zahn-der-zeit Karl-Marx-Allee 82…
This article is part of our feature topic Abjection. French feminist philosopher Julia Kristeva opens her 1980 essay on abjection, entitled ‘Powers of Horrors,’ as follows: “There looms, within abjection, one of those violent, dark revolts of being, directed against a threat that seems to emanate from an exorbitant outside or inside.” Going on to describe the slippery…
The Kunstverein Ost is announcing this year’s KVOST Stipendium, awarded in combination with the Claus Michaletz Preis since 2022. Kunstverein Ost (KVOST) was established in 2018 and is dedicated to promoting artists from Central and Eastern Europe whose life or work are shaped by the former Eastern Bloc. The €10,000 prize is established in memory of Claus Michaletz, the publisher and founder of…
The opening image of Graciela Iturbide’s retrospective ‘Eyes to Fly With’ at C/O Berlin is a poetic visualization of the title itself. It features a self-portrait of the artist holding two dead birds delicately over her eyes, their small spherical heads placed just above each eyelid. The bird in her left hand lies upside down, its beak open and its bones visible—a death cry—while the other bird…
John Smith: ‘Being John Smith’ Screening: Mar. 2–8, 2026 Part of: ‘Uglier, Louder, Taller, Weirder – Hearing the Weeds grow’ galerie-im-turm.net/weeds Frankfurter Tor 1, 10243 Berlin, click here for map John Smith: ‘Being John Smith’ Konstantino Dregos: ‘Countless Dependencies’ Opening Reception: Tuesday, Mar. 3; 6-8pm Exhibition: Mar. 13–May 31, 2026 noahklink.com Kulmer Straße…
Fasanenstraße 68, 10719 Berlin +4930889225890 68projects.com Opening Hours: Tuesday–Saturday; 11am–6pm Exhibition Sunjeong Hwang & Wonhae Hwang Opening Reception: Friday, Mar. 6; 6–9pm Mar. 6–Apr. 18, 2026 68projects.com/hwang-hwang Auguststraße 75, 10117 Berlin aestiftung.de Opening Hours: Tuesday–Sunday; 11am–6pm Exhibition Arno Schidlowski: ‘Jasmund | Der Sonne Mond’ Jan.
Gore, slapstick, political commentary and impromptu dance all find their way into Indonesian director Joko Anwar’s new feature film, ‘Ghost in the Cell’ (Hantu Dalam Penjara). Anwar’s 12th film, but by no means his first horror film, ‘Ghost in the Cell’ recently premiered at the 76th annual Berlinale film festival in the Forum section. While it could have arguably been featured in the Panorama…
Our suffering amidst the trash heap of contemporary life often feels sealed and inevitable. As Michael Marder says, our alienation is being alienated. Countering the passive consumption of today’s social, political, ecological and informational debacle, artist and designer Jerszy Seymour proposes a necessarily utopian alternative, grounded in cooperative creativity.
Artists from the fields of literature, visual arts and composition, as well as academics with a research project on Romanticism or relating to the previously divided Germany, are invited to apply to the three-month residency at Schloss Wiepersdorf. Hosted in the historical baroque manor house built in 1735 in Brandenburg, the residency welcomes fellows from Germany and abroad.