The Art of Translation: ‘Glitch in a Garden of Whispers’ at Aedes

Unlike many future-oriented AI art exhibitions, ‘Glitch in a Garden of Whispers’ approaches the topic through the exploration of something much older—the art of translation. Mirroring the functions of artificial intelligence, Nicole L’Huillier and Ana Maria Caballero take a refreshingly material and poetic approach to examining how language and meaning transform and degrade as they move through…

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Cosmic Rhythms: Béla Pablo Janssen at NAK

This article is part of our feature topic Wellness. Béla Pablo Janssen’s ‘Theater der Sonnenzuwendung’ is, on just about every level, an invitation—not only to see, but to inhabit. Filling out both floors as well as the stairwells of Aachen’s Neuer Aachener Kunstverein, Janssen’s constellation of assemblages, drawings, installations, détourned posters, mixed-media and sound works welcomes…

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The Week Feb. 23–Mar. 1, 2026

Ellinor Aurora Aasgaard & Zayne Armstrong: ‘Los Tres Puntos’ Opening Reception & Artist Talk: Monday, Feb. 23; 7pm Screening: Feb. 23–Mar. 1, 2026 Part of: ‘Uglier, Louder, Taller, Weirder – Hearing the Weeds grow’ galerie-im-turm.net/weeds Frankfurter Tor 1, 10243 Berlin, click here for map Ana María Caballero & Nicole L’Huillier: ‘Glitch in a Garden of Whispers’ Reading Performance…

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Volatile Archives: An Interview with Monia Ben Hamouda

Monia Ben Hamouda’s work weaves calligraphy, material transformation and ancestral memory into sculptures and installations that oscillate between language and form. In conversation, we traced the conceptual and sensory threads of her practice, unfolding through key works that reflect on heritage, embodiment and translation. Using materials such as iron, stone and pigment…

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Ways of Seeing: An Interview with Dörte Eißfeldt

Dörte Eißfeldt’s photography is grounded in the experience of seeing: a relational seeing that holds in view not only the self and the world, but also the photographic object itself, which can act as a vital intermediary between the two. Making us encounter gentler close-ups of a neck pressed into sheets of silver, nebulated, spectral hands and snowballs that seem to glow far beyond the print’s…

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